Thursday, 15 April 2010

The Prairie

On the plains,
Dust balls blow,
Perennial weeds turn over.

Long grass billowing,
Prairie fowl scratch at bare earth.
Bison roam free again.

A sky low and sullen,
Gathering storm clouds or a hot sun beating down;
Precious rain is rare.

The rush of a train in the distance: no stop here.
Freight moves at pace.

The faint cry of Indians past,
The promise of new lands for new folk: settlers since long gone.

Empty prairies left to reform
At last.

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When I was kid I loved the Laura Ingles Wilder 'Little House on the Prairie' books. I used to dream of living on the barren North American plains, forging a life as a new settler. I started to think about the prairie last night; I don't know why.

Gaia

A single system
Into which we are all inextricably bound.
Stable states,
Perfect selection,
A role from major to minor.

Chaos theory.
One small blip.
And the system breaks down.
The universal psyche disrupted.

A mind in meltdown.
The earth is losing itself.
Is it too late? Who can say.
It depends on your state of mind.

Respect the small; they may yet save us.

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Gaia theory by James Lovelock. The theory asserts that everything on the planet is part of a delicately balanced system. He is not optimistic and believes we have meddled with things too much to go back.

Wednesday, 14 April 2010

Art in April

I've been planning a visit to see the major Van Gogh exhibition at the Royal Academy of Arts since January. It is entitled 'Van Gogh: the Man and His Letters', essentially exhibiting the written correspondence between him and his brother and his gradual decline into 'madness'. The exhibition finishes this week and I haven't managed to get tickets - they were sold out since around mid-February and there are now three hour queues to collect one of the limited tickets released each morning. Anyway, I resigned myself to this fate and a friend and I decided to go and see Henry Moore at Tate Britain instead.

Henry Moore is a sculptor, famed for his amorphous, proportionally inexact sculptures of women or of mothers and child. He used a variety of materials - elm wood was a favourite but also varying types of stone and casts in bronze. I've seen his work before (there was an outdoor exhibition a couple of years ago at Kew Gardens) and I my indifference to him was reinforced. There is something sinister about those formless beings with pinheads and dots for eyes. I think his most interesting work were the sketches he did during the second world war of Londoners cramped together in the underground during air raids (these are actually figurative and have feeling and depth). I also like his metallic helmets, reflecting his fears around the time of the cold war.

Afterwards, we decided to have a wander around the permanent collections. Tate Britain has the most extensive collection of Turner paintings. Whilst, a lot of the large-scale landscapes are an acquired taste, there is no disputing the man's talent and level of production. I love that a lot of his 'unfinished' works are in themselves masterpieces and served to inspire the future impressionists.

So, to my next trip. Clearly, I have been smarting over Van Gogh and it was actually my boss's idea that I go to Amsterdam and see some of his work in situ - inspired! So, next weekend I shall be boarding a ferry from Harwich in Essex and heading to Holland. Must remember to pack my sea bands!

Monday, 12 April 2010

Simple complexity

A planet
From dust and gas.

Beings
From atoms.

5 billion years
To create complexity.

Conscious minds
Make ever complex things.

Technology that rules us
Binds us
Drives us
Onwards.

STOP
Think
Deconstruct.

Simplicity can be inspiring too.

Saturday, 10 April 2010

The Early Years

Poems from old notebooks, over 10 years old.



Flicker, Flicker (29.12.98)



Flicker, flicker,

The lights through the trees,

Flash by.

As we roll on our journey to Watford Gap and beyond.



Holiness (30.12.98)



Jesus came to me in a dream one night.

He whispered my name,

And caressed my cheek,

He told me he loved me

In my hour of need.

So now when I pray.

I don't ask for me.

Just ask for forgiveness

For humanity.



Winter (18.1.99)



The sun glints on the river,

Like a giant mirror flashing light.

Buildings like trees,

Flank the water,

And January chill is all around.



Jack Frost's patterns are dispersed by the sun,

Icicle branches melt with ease,

Jack's fingers cut to the knuckles,

Free from the frozen underworld for a few precious hours.



The sun down,

Jack is quick in his work,

Like thieves in the night making mischief.

Ice ice everywhere,

Branches, diamonds, glittering stars,

Jack's frozen forest is formed again.



January (18.1.99)



Grey days

Hazy sun

Diamond flecked branches

White birds on still, glass water

And the moon lurks all day.


In winter the land is transformed

And we rejoice as our breath is taken away.



Lost Love (4.2.99)



The one I love eludes me,

Her features grow distant each day,

Her voice, a song on the wind.



We were once together,

But not as lovers,

Mere friends.

And now I see her never.



I don't know which is worse.



Contradictions (25.11.01)



The prime of my life,

I am.

I am in the prime of my life.

The spice of my life,

The price of my life

Is valueless or worthless?

Spiritual or listless?

Vibrant or jaded?

Happy or sad?

The polar nature of my life.

Nothing balanced,
Nothing right,

Nothing wrong,

Never weak,

But never strong.

Thursday, 8 April 2010

Birds, Bees and Miscellaneous things

Rainham Marshes is an oasis of green in Purfleet, Essex. It is owned and managed by the RSPB, a series of reclaimed marshes on the north side of the River Thames. Nature is contained in this small space surrounded by bland infrastructure; flyovers, power stations and even the Channel Tunnel Rail Link beneath. You would think that not much would live here, but it is in fact a wildlife gem.

We visited on the Saturday 27th March. It is accessible by public transport - London overground and then the Essex Coast to Coast service to Purfleet, followed by a short walk to the reserve. We spent a good few hours there. There is lots to explore; the area was previous used for military training and is sprinkled with army paraphernalia; shooting ranges and bunkers.

We kept a little list of all the things we saw:

Goldfinch
Greenfinch
Sparrows
Collared dove
Little egret
A tree full of bees, the air full of scent
Blackbird
Shelduck
Wigeon
Lapwing
Reed bunting
Snipe?
Blue tit
Moorhen
Coot
Mute swan
Mallard
Golden plover
Pheasant
Heron
Magpie
Woodpigeon
Thrush
Dunnock
Tufted duck
Skylark, a melodic song high in the sky
Chiff chaff
Wren

And I ate a magnificent home-prepared packed lunch - home baked dark chocolate biscuits were a particular favourite.

Snowdon

Up with the larks.
The sun peers out promising much.

Bundled up in layers,
Eyes peep out
Through fabric.

A rapid ascent,
Boulders and rivulets
Underfoot.

The halfway house
But no time for tea.

March on
Snow deepening
Sky closing in.

Past the railway station
And the point of no return.

A white mirage
Snow blind
Struck dumb by the beauty of ice.

Careful trudge
Following footprints
Onwards
Upwards
Into the wind

Steely determination
A will to win
To defeat the mountain.
To touch the pinnacle.

A moment of joy;
Breathless
Inspired by the beauty around me.
Breathe deeper and suck it in.

The summit.

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My dad and I climbed Snowdon on Easter Sunday. It is 3,560ft, the second highest mountain in Britain. The snow was deep, seven foot drifts in part. It was so beautiful; white glare as far as the eye could see. Nothingness. Only snow, ice and wind and fading footprints.